Truth IS Stranger Than Fiction

Truth IS Stranger Than Fiction

Reblogging an interesting item sent to me by a friend who may prefer to remain anonymous.  Straight from the annals of “truth is stranger than fiction,” ponder this satirical take on WWII, cleverly deriding pretentious post-modern views of “reality,”  particularly the modern refusal to acknowledge real evil — since “everyone knows”  that any notion of plots to obliterate the family by redefining marriage, to destroy western and Christian culture by secularization and/or by demographic and militaristic growth of Islamist philosophy, etc. are just too far-fetched for even a TV series, much less real life!  (NB: blog excerpts omit language which some readers might find offensive).

“….the worst offender here is the History Channel and all their programs on the so-called ‘World War II.’  Let’s start with the bad guys. Battalions of stormtroopers dressed in all black, check. Secret police, check. Determination to brutally kill everyone who doesn’t look like them, check. Leader with a tiny villain mustache and a tendency to go into apopleptic rage when he doesn’t get his way, check. All this from a country that was ordinary, believable, and dare I say it sometimes even sympathetic in previous seasons.

I wouldn’t even mind the lack of originality if they weren’t so heavy-handed about it. Apparently we’re supposed to believe that in the middle of the war the Germans attacked their allies the Russians, starting an unwinnable conflict on two fronts, just to show how sneaky and untrustworthy they could be? And that they diverted all their resources to use in making ever bigger and scarier death camps, even in the middle of a huge war? Real people just aren’t that evil. And that’s not even counting the part where as soon as the plot requires it, they instantly forget about all the racism nonsense and become best buddies with the definitely non-Aryan Japanese.

Not that the good guys are much better…. It’s pretty standard “shining amazing good guys who can do no wrong” versus “evil legions of darkness bent on torture and genocide” stuff, totally ignoring the nuances and realities of politics. The actual strategy of the war is barely any better…. one example: in the Battle of the Bulge, a vastly larger force of Germans surround a small Allied battalion and demand they surrender or be killed. The Allied general sends back a single-word reply: “Nuts!”. The Germans attack, and, miraculously, the tiny Allied force holds them off long enough for reinforcements to arrive and turn the tide of battle. Whoever wrote this episode obviously had never been within a thousand miles of an actual military.

Probably the worst part was the ending. The British/German story arc gets boring, so they tie it up quickly, have the villain kill himself (on Walpurgisnacht of all days, not exactly subtle) and then totally switch gears to a battle between the Americans and the Japanese in the Pacific. Pretty much the same dichotomy – the Japanese kill, torture, perform medical experiments on prisoners, … and the Americans are led by a kindly old man in a wheelchair.

Anyway, they spend the whole season building up how the Japanese home islands are a fortress, and the Japanese will never surrender, and there’s no way to take the Japanese home islands because they’re invincible…and then they realize they totally can’t have the Americans take the Japanese home islands so they have no way to wrap up the season.

So they invent a completely implausible superweapon that they’ve never mentioned until now. Apparently the Americans got some scientists together to invent it, only we never heard anything about it because it was “classified.”  In two years, the scientists manage to invent a weapon a thousand times more powerful than anything anyone’s ever seen before.  Then they use the superweapon, blow up several Japanese cities easily, and the Japanese surrender. Convenient, isn’t it?

…and then, in the entire rest of the show, over five or six different big wars, they never use the superweapon again. Seriously. They have this whole thing about a war in Vietnam that lasts decades and kills tens of thousands of people, and they never wonder if maybe they should consider using the unstoppable mystical superweapon that they won the last war with. At this point, you’re starting to wonder if any of the show’s writers have even watched the episodes the other writers made.

I’m not even going to get into the whole subplot about breaking a secret code (cleverly named “Enigma”, because the writers couldn’t spend more than two seconds thinking up a name for an enigmatic code), the giant superintelligent computer called Colossus (despite this being years before the transistor was even invented), the Soviet strongman whose name means “Man of Steel” in Russian (seriously, between calling the strongman “Man of Steel” and the Frenchman “de Gaulle”, whoever came up with the names for this thing ought to be shot).

So yeah. Stay away from the History Channel. Unlike most of the other networks, they don’t even try to make their stuff believable.”

Entire entry at http://squid314.livejournal.com/275614.html

De-theologizing God

De-theologizing God

What We Talk About When We Talk About God

ARTICLE BY MICHAEL KRUGER  MAY 2013
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Rob Bell, What We Talk About When We Talk About God (New York: HarperOne, 2013), 240 pp., $16.00
“Detheologizing” Christianity
For those who have read Rob Bell’s other books (such as Love Wins andVelvet Elvis), the tone, disposition, and content of this new book will sound all too familiar.  InWhat We Talk About When We Talk About God, Bell continues his campaign to reshape and repackage Christianity for this postmodern generation, and to rescue it from those he thinks are holding it back (traditional Christians).
In this way, Bell positions himself as an apologist of sorts. Our world views the Christian God as irrelevant and outdated (like an Oldsmobile), and Bell’s mission is to give Him an extreme makeover. Bell takes the God who seems like a grumpy, judgmental old man in a polyester suit who is pointing his finger at you while simultaneously thumping the Bible, and changes him into a hip, urban young guy with skinny jeans and horn-rimmed glasses who invites you to have a latte with him and ponder the mysteries of the universe.
Bell’s book, therefore, functions a lot like the Apple vs. Microsoft commercial that was popular a number of years ago. Microsoft was represented by an out of shape, poorly dressed geek, while Apple was represented by a thin, hip, well-dressed urbanite. In effect, Bell is arguing that God is not like Microsoft. He is more like Apple. God is relevant. He can keep up with the times.
Unfortunately, being an apologist for the faith does not always lead one to uphold the faith.  Indeed, there is a long history of folks who have sought to defend Christianity from critical attacks by simply changing the problematic portions of the faith. In other words, apologetics is not always about defending what we believe, but is sometimes about modifying what we believe.  Apologetics is sometimes about giving Christianity an extreme makeover.
In this regard, one thinks of scholars like Rudolph Bultmann. Despite the negative press Bultmann has received, it should be noted that Bultmann regarded himself as a committed Christian and a defender of the faith. Bultmann recognized that in this modern, enlightened age, people could no longer believe in supernatural events. So, in order to rescue Christianity from its imminent demise, Bultmann stripped all the supernatural elements out of the faith (see his book, New Testament and Mythology). In short, he “demythologized” the Bible. Bultmann wanted to convince people that God wasn’t an Oldsmobile. God could keep up with the times.
Of course, Bell’s method of defending Christianity is not by stripping it of its supernatural elements (that was the issue in Bultmann’s day). On the contrary, Bell is quite keen to remind the reader of the supernatural–God is everywhere, busy at work, in us and in our world.   Instead, Bell’s makeover method is to change Christianity into a broad “spirituality.”  His book downplays (and in some instances, simply ignores) many of the key doctrines that make Christianity distinctive. He simply turns Christianity into vague, general, theism. Whereas Bultmann demythologized the faith, Bell has detheologized the faith.
Bell’s makeover motif is evident from the very opening chapter, entitled “Hum.” He complains that there are many “conventional categories” of belief that are harmful to the church. His examples include the belief that women shouldn’t be pastors, the belief that “everybody that is gay is going to hell,” and the belief that non-Christians will endure “untold suffering” after the second coming of Christ (p.6-7). These are the types of beliefs (though not all) that Christianity must rid itself of, if it is to avoid going the way of the Oldsmobile.
In chapter two, entitled “Open,” Bell offers modified form of the teleological argument. He goes into great detail about the order and the complexity of the universe in an effort to show the skeptic that you can’t rule out the existence of God–the universe is too marvelous, too complex, to be sure there is no divine. I think this chapter will be effective with the non-Christian, and is probably the best (and most interesting ) chapter in the book.
In chapter three, entitled “Both,” Bell returns more directly to his makeover motif. The overall point of this chapter is that the language we use to describe God is inherently and unavoidably vague–God is beyond words. And if God is beyond our ability to explain, then we cannot really be certain in our beliefs about God. Bell laments those fundamentalist types who process God in either/or categories. “There are limits to our certainty because God, it’s repeated again and again, is spirit.  And spirit has no shape or form” (p. 88).
It is clear that Bell is using this chapter to set the stage for his makeover. If words about God are unclear, and we can never really be certain about anything, then we should not feel bound by certain limitations about God. This allows Bell to scold those “fundamentalist” types who are all too certain about their theology, and it allows him to suggest that we should think of God differently. In particular, Bell hones in on the issue of God’s gender. He argues that masculine language in the Bible about God is just the product of primitive cultures that couldn’t help but think of their “god” as male (p.88-89).
In chapter four, entitled “With,” Bell focuses on the immanence of God and how he is always near and present with us. This would be fine if Bell stuck to biblical categories about the way that God is present. But, instead he “detheologizes” the Christian view of God’s immanence and makes it more like New Age, Gnostic spiritualism. God’s presence is described in language like “creative energy,” a “life force,” and an “unending divine vitality” (p. 106). This divine energy creates a oneness to the universe: “When we talk about God, we’re talking about the straightforward affirmation that everything has a singular, common source and is infinitely, endlessly, deeply connected” (p.118).  This sounds more like “the Force” from Star Wars, than the God of the Bible.
In chapter five, entitled “For,” Bell says that he wants to recover the “fundamental Christian message that God is for us” (128). That is certainly a commendable goal, but Bell once again “detheologizes” what this concept actually means according to Scripture. Entirely missing in this chapter–indeed entirely missing in the whole book–is any meaningful discussion of the cross and atonement. Absent is discussion about our sin, God’s wrath on our sin, and how Christ’s death on the cross paid that penalty. Absent is the clarification that without the cross, God is definitely not for us and that his wrath remains on us. Sure, Bell talks about Jesus and the incarnation. But, the mission of Jesus is reshaped so that its purpose is “giving us a picture of God who is not distant or detached or indifferent to our pain…but instead is present among us in Jesus to teach us and help us and suffer with us” (p. 131).
In the final two chapters, Bell continues to talk about key Christian themes such as Jesus, repentance, confession, forgiveness, and so on. But, incredibly, he empties each of these terms of their biblical meaning and simply replaces them with a meaning that fits with postmodern spirituality. His “detheologizing” of Christianity is complete.
In the end, my overall concern about this volume is a simple one: it is not Christian. Bell’s makeover of Christianity has changed it into something entirely different. It is not Christianity at all, it is modern liberalism. It is the same liberalism that Machen fought in the 1920’s and the same liberalism prevalent in far too many churches today. It is the liberalism that teaches that God exists and that Jesus is the source of our happiness and our fulfillment, but all of this comes apart from any real mention of sin, judgment, and the cross. It is the liberalism that says we can know nothing for sure, except of course, that those “fundamentalists” are wrong. It is the liberalism that appeals to the Bible from time to time, but then simply ignores large portions of it.
Bell’s book, therefore, is really just spiritualism with a Christian veneer. It’s a book that would fit quite well on Oprah’s list of favorite books. What is Rob Bell talking about when he is talking about God? Not the God of Christianity.
Dr. Michael Kruger is President and Professor of New Testament at Reformed Theological Seminary in Charlotte, NC. You can read more of Dr. Kruger’s writings here.